we must always veer
from extremes
lest our fears
became reality.
one vision may evoke
that path marked off,
fear of choking
killing possibility.
I have found
leaving all open
provides ample ground,
while footing of stone
keep us from slipping under deserts of direction,
from quipping into sink hole
left unknown.
well kown, well grown are we!
who come so far just to find
ambiguity.
more so than me,
Morse code conducts conversations caught
click by click
in hesitant heresy.
to make voice less than human; to give but beepping rhyme,
but, oh, how I am guilty
of taking the reality out of rational.
my own compromise disguises my fears;
my fears disguising my own compromise
and Job telling, "God, what gives"
And Biliad blaming me,
"You see! what unrighteousness have ye?"
but though pits fall,
they grow again.
once spit out from juicy flesh,
must die to bring forth more.
where is the line of dying and death?
what constitutes difference of noun and verb,
like ser and estar we are told;
gringos just learning the difference between state and fact:
if dying is to be made darker,
then death is to remain dark.
but even pain fades,
till every tear is wiped away.
wash them, wade them, try them on. step in mud and purge the flood. stitch them finely and still you have the same words in different shades. WORDS NEVER WEAR THAT GO TO NO WHERE.
[Goshen College English 210] {Spring 2011}
Monday, November 14, 2011
Sunday, November 13, 2011
smile
i wonder if your smile
was ever for me.
pursed, photo lips because
you thought
"she'll see this."
i hope not.
it would just be
another lie.
was ever for me.
pursed, photo lips because
you thought
"she'll see this."
i hope not.
it would just be
another lie.
Thursday, November 10, 2011
hard.
I don't like to say that things are hard.
perhaps, because them i am weak,
perhaps, because then i am complaining,
perhaps, because then i am challenging the path i am on,
challenging my ability to press on.
I don't like to say that things are hard.
maybe, because then i could give myself grace,
maybe, because then i would have less responsibility,
maybe, because then i'd have to rely on other humans for support
and i don't want to do that.
i want to speak of you,
to speak with you,
to have you here.
not because i want you,
but because i miss you
and this is hard.
but, i can in no way speak,
make no sound that may ripple your surface,
that may tremor your experience far away.
instead, i'll pray.
because this is hard.
perhaps, because them i am weak,
perhaps, because then i am complaining,
perhaps, because then i am challenging the path i am on,
challenging my ability to press on.
I don't like to say that things are hard.
maybe, because then i could give myself grace,
maybe, because then i would have less responsibility,
maybe, because then i'd have to rely on other humans for support
and i don't want to do that.
i want to speak of you,
to speak with you,
to have you here.
not because i want you,
but because i miss you
and this is hard.
but, i can in no way speak,
make no sound that may ripple your surface,
that may tremor your experience far away.
instead, i'll pray.
because this is hard.
first snow
they whirled in ,
giving form to sharp cold that had been biting ears,
presenting softness, reflecting our blankets much more than the air they inhabited.
the sun shown,
adding brilliance to arrival of first snow,
and i thought, momentarily, that i wanted you here to share fervent flurries;
as quickly as they came,
their parade withered down to wet sidewalks,
leaving no trace of their grand austere that, for moments, dominated our world.
and i am left
with meltings of you, dampening my heart.
the fading of reality, distant as exquisite crystal tracings in warm palms.
is our story the same as white blankets melted?
giving form to sharp cold that had been biting ears,
presenting softness, reflecting our blankets much more than the air they inhabited.
the sun shown,
adding brilliance to arrival of first snow,
and i thought, momentarily, that i wanted you here to share fervent flurries;
as quickly as they came,
their parade withered down to wet sidewalks,
leaving no trace of their grand austere that, for moments, dominated our world.
and i am left
with meltings of you, dampening my heart.
the fading of reality, distant as exquisite crystal tracings in warm palms.
is our story the same as white blankets melted?
Sunday, October 30, 2011
play dead
Done
with
idle
pretending
that
wounds
myself
and everyone else
including you
who I thought
I was
protecting.
foolish child.
no such thing
as protecting.
only pretending.
Am I Done
pretending
that i want you?
Wednesday, October 19, 2011
goshen autumn
distracted as the side walk
who slopes down to puddle rain
contemplation disturbed
by a thousand pinches of refrain
distracted as the button
given much stress
not asked to do more than its occupation
but threaded with cords of unrest.
distracted as the pages
flipped through by one fervently searching
no answer to be found unless taken
slowly
to hear the sound of each finger turning.
distracted, but not dismissed
not present, but tallied any how.
the presence of form does not excuse the lack of response when called,
the lack of a verbal, "Here."
no. the pane rattles too eloquently to be ignored.
it also requires my presence
as round gems form on slippery slope--
who else will trace their path?
I am needed to take notice
to watch the rain as others adhere to the lesson--
less than wanting of my distraction
that chills essence as we rub our palms,
gray howling noise in the distance becomes
my anthem.
not very far are those outside.
who slopes down to puddle rain
contemplation disturbed
by a thousand pinches of refrain
distracted as the button
given much stress
not asked to do more than its occupation
but threaded with cords of unrest.
distracted as the pages
flipped through by one fervently searching
no answer to be found unless taken
slowly
to hear the sound of each finger turning.
distracted, but not dismissed
not present, but tallied any how.
the presence of form does not excuse the lack of response when called,
the lack of a verbal, "Here."
no. the pane rattles too eloquently to be ignored.
it also requires my presence
as round gems form on slippery slope--
who else will trace their path?
I am needed to take notice
to watch the rain as others adhere to the lesson--
less than wanting of my distraction
that chills essence as we rub our palms,
gray howling noise in the distance becomes
my anthem.
not very far are those outside.
tangled mess
"I led them
with cords of human kindness,
with ties of love;
I lifted the yoke from their neck
and bent down to feed them."
Who is speaking?
does this not sound like the carpenter?
I tell you the truth,
these words were spoken
before his body was broken;
before we replaced his body
in unity
as the body of Christ.
Already,
Yahweh speaks
of humans
as his hands,
handed down from the nation
the new testament
holds nothing new.
"How can I give you up, Ephraim?
How can I hand you over, Israel?
My heart is changed within me; all my compassion is aroused."
From where is this passage?
not from the mouth of Christ,
but from before
him who was
him who was
before.
How then, can any call my God
cruel?
because we suffer the actions of fellow humus?
because pain plays part
in our existence?
you run the risk
of ruin
when you create,
run the risk
of pain
when you live,
run the risk
of loss
when you love,
in this world.
Take Heart.
He has over come the World.
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